Ruby Gonzalez Hernandez is an Indigenous Zapotec artist and curator born on Quinnipiac land. As a lens-based artist, she uses photography as a tool in printmaking, woodworking, and other media to dissect and find language for: oppression affecting BIPOC, religious exploitation, spiritual salvation, redemption, and more. She is passionate about work that serves the New Haven community, grassroots arts ecology, and she currently runs an annual international print exchange called Lunch Money Print. Ruby's work has been supported and recognized by Doran AIR CT Fellowship, and the NBA. She organizes exhibitions concerning themes and ideas surrounding community solidarity and empowerment. Ruby is currently working towards an exhibition for the Yale Doran Artist in residence program, opening at Artspace New Haven in May 2022.

Artist Statement
As a lens-based artist, I use photography as an expansive tool within other media, such as printmaking and woodwork. Between these media, I attempt to dissect institutional structures of religious, immigrant, and familial coercion that supposedly construct my identity, seperate myself from these constructs, and reclaim fragmented and lost parts of myself for which I do not have autonomous language. In turn, I translate my constructed and authentic memorial experiences within these hierarchies of power into visual vocabularies that function as artifacts of my experience. The work that I make is a secondary outcome to my psychic processes in understanding how I exist, outside of a Pentecostal cult in which I spent my childhood. As I bring photographs into other media, this gesture mimics how I am searching for more pieces of myself. Almost as muscle memory, the work allows me to remember situations and places that coercive structures suppressed.

For questions, inquires, or comments, please contact me at ruby [at] lunch money print [dot] com

It is not about what you know. It is about what you do with it.